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In addition to a comprehensive introduction and an analysis of text and form, Othmar Keel focuses on the metaphorical and symbolic language of the Song of Songs. He makes full use of parallels—textual and iconographic—from Palestine, Egypt, and Mesopotamia. More than 160 illustrations, prepared by Hildi Keel-Leu, add to the interpretation of the songs.

Purpose and Thrust Although the request mentions the visual appearance first and then the voice, this order is reversed in the basis, yielding an abb’a’ structure or chiasm. The structure emphasizes the strict correspondence of the comparison—the voice is just as infatuating (or “sweet”; cf. Prov. 20:17*) as the face is ravishing. The numinous quality common to both the request and the basis justifies these strong words. The usual translations (“pleasant,” “lovely,” etc.) are too pallid, failing
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